CV / Bio
- Born 1957, Washington, DC
- Lives & Works in New York City and Marshall, VA
EDUCATION
- California Institute of the Arts, Valencia, CA, 1987-1989
- School of the Museum of Fine Arts, Boston, MA/Tufts University, Medford, MA, BFA, 1980-1982
SOLO EXHIBITIONS
2011
- Hemphill Fine Arts,”Anne Rowland”, Washington, DC
2006
- Hemphill Fine Arts,”Private Property”, Washington, DC
1993
- Jayne H. Baum Gallery,”Dictu Sanctificare”, New York, NY
1991
- Greg Kucera Gallery,”Dictu Sanctificare”, Seattle, WA
- Zoe Gallery,”Dictu Sanctificare” Boston, MA
1990
- The Tartt Gallery,”Dictu Sanctificare”, Washington, DC
- Houston Center for Photography, Houston, TX
1988
- Robert B. Menschel Gallery, “Persona”, Syracuse, NY
1987
- Zoe Gallery, Boston, MA,
1986
- Burlington County College, Pemberton, NJ
- School of Art, University of Denver, Denver, CO
1983
- Hera Cooperative Gallery, Wakefield, RI
SELECTED GROUP EXHIBITIONS
2017
- Through the Lens of Frank Hallam Day and Anne Rowland: Two Photographers’ Perspectives of Arlington, Arlington Courthouse Plaza, Arlington, VA
- 35 Days, Hemphill Fine Arts, Washington, DC
2013
- Museum of Fine Arts, Houston, Self, Model, and Self as Other
- Hemphill Fine Arts, Represent, Washington, D.C.
- Rebekah Jacob Gallery, Somewhere in the South: A Celebration of Southern Photographers for Spoleto, Charleston, SC
- Hemphill Fine Arts, Artist Citizen, Washington, D.C.
2011
- The Academy Art Museum, Constructed Spaces: Contemporary Color Photography, Easton, MD
2009
- Carroll Square Gallery, 18 Mammals, Washington, DC
2008
- Hemphill/The Photography Show NY, Park Avenue Armory, New York, NY
2007
- Hemphill/The Photography Show NY, Park Avenue Armory, New York, NY
2005
- Charles Cowles Gallery, A Summer Group, New York, NY
2004
- Hemphill Fine Arts, Opening on 14th, Washington DC
- Exit Art, The Presidency, New York, NY
2003
- Exit Art, Reconstruction Biennial, New York, NY
1999
- The Ansel Adams Center for Photography, Phenomena: The Poetics of Science, San Francisco, CA
1998
- VU Gallery, Western Washington University,
- True Fabrications, Bellingham, WA York, NY
- Pittsburgh Center for the Arts, Recycling Art History, Pittsburgh, PA
- Tampa Museum of Art, The Classical Nude, Tampa, FL
- The St. Petersburg Museum of Fine Arts, Collector’s Vision: 20th Century Photographs from Private Collections, St. Petersberg, FL
1997
- Bumbershoot Festival, Celebrity: Figures of Fame, Fortune, Heroism, and Infamy
- Greg Kucera Gallery Installation, Olympic Room, Seattle Center, Seattle, WA
- Florida State University Museum of Fine Arts, The Gun As Image, Tallahassee, Florida
- School of the Museum of Fine Arts, Museum School Women and Photography Exhibition, Grossman Gallery, Boston, MA
1996
- SF Camerawork, In Our Sights: Women Artists Look at Guns, San Francisco, CA
- California Museum of Photography, In Our Sights: Artists Look at Guns, Riverside, CA
- Washington Center for Photography, Trace, Washington, DC
1995
- Gallery 400, University of Illinois, Arresting Images, Chicago, IL
- Photographic Resource Center, New England Biennial, Boston, MA
- Houston Center for Photography, Quotation: Art Imitates Art, Houston, TX
- Spirit Square Center for the Arts and Education, Intimate Encounters: Photographs from the Lucinda W. Bunnen Collection, Charlotte, NC
1994
- Greg Kucera Gallery, This Is My Body, Seattle, WA
- Jayne H. Baum Gallery, Gallery Artists, New York, NY
- Real Art Ways, About Face, Hartford, CT
- Museum of Fine Arts, Curated by Trevor Fairbrother, Curator of Contemporary Art, Boston, MA
- University of Hawaii Art Gallery, Sum of the Parts, Honolulu, HI
- Gallery at 777, Los Angeles Center for Photographic Studies, & Resolution Gallery, Los Angeles, CA, “Contemporary Collections”
- The David and Alfred Smart Museum of Art, University of Chicago,
- Photographs from the Collection of Mr. and Mrs. William Knight Zewadski, Chicago, IL
1993
- Los Angeles County Museum of Art, Masquerade, Los Angeles, CA
- The Tartt Gallery, The Secret Language of the Hand, Washington, DC
- The Center for the Arts, Collector’s Choice, Vero Beach, FL
1992
- Alyce de Roulet Williamson Gallery, Hollywood, Hollywood Art Center
- College of Design, Pasadena Art Alliance, Pasadena, CA
- The Tartt Gallery, Family Matters, Washington, DC
1991
- Turner/Krull Gallery, Photo Salon, Los Angeles, CA
- San Jose State University, Articulated Disparities-Negotiated Masculinity, San Jose, CA
- Evanston Art Center, Images Don’t Lie, Evanston, IL
- SF Camerawork, Beyond Belief, San Francisco, CA
- Jan Kesner Gallery, Objectionable Beauty, Los Angeles, CA
- The Fitchburg Art Museum, The Object: Found, Observed, Imagined, Fitchburg, MA
- Maier Museum of Art, 80th Annual Exhibition, Focus on Photography: 1980-1990,
- Randolph-Macon Women’s College, Lynchburg, VA
- The Tartt Gallery, Washington, DC
1990
- Greg Kucera Gallery, God and Country, Seattle, WA
- The Photography of Invention: American Pictures of the 1980s,
- The Museum of Contemporary Art, Chicago, IL and the Walker Art Center, Minneapolis, MN
- Los Angeles Center for Photographic Studies, Annual Exhibition, Lindhurst Gallery
- University of Southern California, Los Angeles, CA
- Woodstock Artists Association, Signs of the Self: Changing Perceptions, Woodstock, NY
- The Tampa Museum of Art, An Eye for Antiquity: Photographs from the Collection of
- Mr. and Mrs. William Knight Zewadski, Tampa, FL
1989
- National Museum of American Art, Smithsonian Institution, The Photography of
- Invention: American Pictures of the 1980s, Washington, DC
- Newport Art Museum, Photography: A Contemporary View, Newport, RI
- Photographic Resource Center, Photography and Performance, [sidebar exhibition], Boston, MA
- G. Ray Hawkins Gallery, Unconventional Perspectives, Los Angeles, CA
- Zoe Gallery, Assumed Identities, Boston, MA
- The Tartt Gallery, Taken: Photography and Death, Washington, DC
1988
- The Tartt Gallery, New Work by Gallery Artists, Washington, DC
- Zoe Gallery, Summer Review- Gallery Artists, Boston, MA
1981
- The Tartt Gallery, Animae Venatories, Washington, DC
- Zoe Gallery, Summer Review- Gallery Artists, Boston, MA
- Vault Gallery, Boston Baroque: Elements of Drama in Contemporary Art, Boston, MA
- Curated by the DeCordova Museum, Lincoln, MA
1986
- Institute of Contemporary Art, 50th Anniversary Celebration, Boston, MA
- Zoe Gallery, Summer Review-Gallery Artists, Boston, MA
- Rayburn House Office Building, Contemporary Art of the Commonwealth, Washington, DC
- Twentieth Century, Contemporary Art of the Commonwealth, Boston, MA
- Clarence Kennedy Gallery, Cambridge, MA
- Light Work, Syracuse, NY
1985
- Institute of Contemporary Art, Boston Now: Photography, Boston, MA
- Laurence Miller Gallery, No Shadows: Recent Photographic Self-Portraiture, New York, NY
1984
- The School of the Museum of Fine Arts, Twelve on 20 x 24, Boston, MA
- The Revolving Museum, The Little Train That Could Show, Boston, MA
- Second Street Gallery, Flash: An Aesthetic, Charlottesville, VA
- Sioux City Art Center, Contemporary Color Photography, Sioux City, IA
- Massachusetts College of Art, Boston, MA
1983
- Neikrug Photographica Rated X, Neikrug Photographica, New York, NY
- The Art Institute of Boston, Photographs in Color, Gallery East, Boston, MA
1981
- Intuitiveye Gallery, Surrealism in Photography, Washington, DC
AWARDS
1986
- National Endowment for the Arts Visual Artists Fellowship
1985
- Massachusetts Artists Fellowship in Photography, Massachusetts Council on the Arts and Humanities
SELECTED BIBLIOGRAPHY – Catalogues and Books
1997
- Palladino-Craig, Allys. Bang! The Gun As Image, Florida State University Museum of Fine Arts, Tallahassee, FL
1995
- Berger, Maurice, et al. Constructing Masculinity, Dia Center for the Arts, New York, NY, reproduction
- Chan, Gaye. Sum of the Parts, University of Hawaii, Honolulu, HI
- Goldstein, Laurence. The Male Body, University of Michigan Press, Ann Arbor, MI, b&w reproduction
- Kroff, Linda. Intimate Encounters: Photographs from the Lucinda W. Bunnen Collection,
- Spirit Square Center for the Arts and Education, Charlotter, NC, b&w reproduction
- Muellner, Nick, et al. Apocalypso, Quiver No. 12, Tyler School of Art, Temple University, Elkins Park, PA, four color reproductions
1993
- Bloom, John. Photography at Bay: Interviews, Essays, and Reviews. University of New Mexico Press, Albuquerque, NM, b&w reproduction
1992
- Fehlau, Fred. Hollywood Hollywood, Art Center College of Design, Pasedena, CA, color reproduction
- Martens, Anne. Contact, The Washington Center for Photography, Washington, DC, Spring, b&w reproduction
1991
- Hoone, Jeffrey. Contact Sheet 70, Light Work, Syracuse, NY, color reproduction
1989
- Smith, Joshua P. The Photography of Invention: American Pictures of the 1980s,
- National Museum of American Art, Smithsonian Institution, Washington, DC, color reproduction
1988
- Hoone, Jeffrey. Persona, Robert B. Menschel Gallery, Syracuse, NY, color reproduction
1986
- Hoone, Jeffrey. Contact Sheet 52, Light Work, Syracuse, NY, color reproduction
1985
- Sussman, Elizabeth. Boston Now: Photography, The Institute of Contemporary Art, Boston, MA, b&w reproduction
- Sweetman, Alex. The New Portrait, Quiver No. 2, Tyler School of Art, Temple University, Philadelphia, PA, two color reproductions
1984
- Holmes, Jon. Twelve on 20 x 24, New England Foundation for the Arts, Boston, MA, color reproduction
SELECTED BIBLIOGRAPHY- Articles
2013
- Glentzer, Molly Exhibits expose new ways of looking at photographs, Houston Chronicle August 18, 2013
- Pennywark, Michael Mirror, Mirror, Free Press Houston July 4, 2013
- Jenkins, Mark A quartet of gallery summer group shows, Washington Post, July 12, 2013
2011
- Jenkins, Mark, Anne Rowland: Hemphill, Review, Washington Post, April 2011
2006
- Wennerstrom, Nord, Anne Rowland: Hemphill, Review, ArtForum, May 2006
- Turrentine, Jeff, Pictures at a Demolition, The Washington Post, March 30, 2006
- Jacobson, Louis, Private Property, Washington City Paper, March 10, 2006
1999
- Jenkins, Steve Phenomena: The Poetics of Science, Camerawork, Volume 26, No. 1. Spring/Summer 1999
1997
- Farr, Sheila Visual Art, Seattle Weekly, August 27
- Safran, Verna. Shooting Gallery, Q Magazine [Tallahassee, FL], February
- Updike, Robin. That Face, O’Brien, Pat. Sights On Guns, The Press-Enterprise (Riverside, CA) March 10
1995
- Camper, Greg. Taking Aim At Weapons, Chicago Reader, September 15
- Smith, Warren Allen. Humanist Potpourri, Free Inquiry, Summer 1995, Vol. 15, No. 3
- Stamets, Bill. Art: A Warm Gun, A Wet Paintbrush, Chicago Sun-Times, September 29
- Temin, Christine. Photos that aren’t as pretty as a picture, The Boston Globe, October 17
1994
- Goldstein, Laurence. The Male Body, Michigan Quarterly Review, The University of Michigan, Ann Arbor, MI, b&w reproduction
- Raynor, Vivian. Oddly Artistic Look at Real Art Ways, The New York Times [Connecticut edition], June 19
- Rose, Joan. Art show more than the sum of its parts, The Honolulu Advertiser, September 4
1993
- Duncan, Michael. Hollywood, Hollywood, Art Issues, Los Angeles, California, No. 26, January/February
1992
- Barosh, Miyoshi. Now Time, Los Angeles, CA, Issue 1, color reproduction
1991
- Bonetti, David. Alternative Transformations, The San Francisco Examiner, San Francisco, CA, August 9
- Brown, Richard L. The Anatomy of God, Reflex, Seattle, WA, May/June, b&w reproduction
- De Genevieve, Barbara. No More Heroes, S.F. Camerawork Quarterly, Summer/Fall, two b&w reproductions
- Howe, Graham and Perez, Pilar. Portfolio 1991 Southern California, Framework, Los Angeles Center for Photographic Studies, Los Angeles, CA, Vol. 4, Issue 2, reproduction
- McKenna, Kristine. Photographic Beautification Project, Los Angeles Times, Los Angeles, CA, May 21, b&w reproduction
- Stapen, Nancy. Four Artists Show Traditional Images in a New Light, The Boston Globe, Boston, MA, March 28, b&w reproduction
1990
- Brunsman, Laura. Questions of Sacrilege and Patriotism, Artweek, San Francisco, CA,
- October 25 Thorson, Alice. Holy Pictures, The City Paper, Washington, DC, July 27, b&w reproduction
1989
- White, Garrett. Photography in L.A.: The Emerging Image, L.A. Style, Los Angeles, CA, June, reproduction
1987
- Gilroy, Roger W. Notes on New Talent, New Art Examiner, Chicago, IL, Volume 15, No. 2, October, b&w reproduction
- Peary, Gerald. Photographer Tells Her Own Chilling Tale, The Toronto Globe and Mail, Toronto, CAN, January 3, p. C3, three reproductions
- Wise, Kelly. Portraits Like Shattered Mirrors, The Boston Globe, Boston MA, September 2, b&w reproduction
1986
- Aziz, Anthony. Photographs by Anne Rowland, Views: The Journal of Photography in New England, No. 2, Vol. 15, Fall
- Chayat, Sherry. Artists Capture Themselves in Powerful Photos, Syracuse Herald American Stars Magazine, Syracuse, NY, February 9, p. 9, b&w reproduction
- Peary, Gerald. Intimations of Violence, Boston Magazine, Boston, MA, January
- Wise, Kelly. Caught Up in Power Games, The Boston Globe, Boston, MA, May 26, b&w reproduction
1985
- Garboden, Clif. Recent Developments: The ICA Mixes It Up, Boston Phoenix, July 23, pps. 3 & 10, b&w reproduction
1983
- Byers, C. George. Photo-Bio, Newport This Week, Newport, RI, b&w reproduction
- Pantalone, John. Anne Rowland; Sherrill Edwards Hunnibell at Hera Cooperative Gallery,
- Wakefield, RI Art New England, October, b&w reproduction